Skip to Content Skip to Navigation
Join the email list!

Kid Pan Alley: About

About Kid Pan Alley

Kid Pan Alley started with a brilliant but obvious discovery—kids make the greatest co-writers—especially when you are writing songs for kids. Paul Reisler, songwriter, composer, master songwriting teacher and founder of Trapezoid, learned this during an elementary school songwriting residency project in rural Rappahannock County, VA. There, he co-wrote over 50 songs there with all of the 600 children in the county. The songs were funny, touching, goofy, gross and completely enchanting. They turned out to be so good that Reisler asked a number of the county’s professional musicians—many of them nationally and internationally known—to record one song each in their own style. The recording, Tidal Wave of Song, became an expression of the whole community—and of the power of song to inspire the spirit of community.

Ever since, Kid Pan Alley has created a tidal wave of songs around the country. We’ve now written over 800 songs with over 16,000 children. We’ve just finished a CD project in Nashville in partnership with the Nashville Chamber Orchestra that features some of the city’s top recording artists including Amy Grant, Delbert McClinton, Kix Brooks, Raul Malo and Kix Brooks recording songs we wrote with the kids. That album received a Grammy nomination as well as a number of other awards including a Parents’ Choice Gold Award.

We’d like to tell you about a couple of those children, Cecila and Tyrone. Cecila is a 2nd grader in an English as a 2nd language class in Nashville. One day, Paul Reisler brought a Kid Pan Alley workshop to her class. The resulting song, “Whisper in Spanish” combined English verses with a Spanish chorus to create a magical love song joining child-like imagination with the craft of a songwriter who has written over 3000 songs. Not only did Cecila have a lot of great ideas for the song but she also translated for the other kids as they worked back and forth in English and Spanish.

A week later, Paul came back with some musicians from the Nashville Chamber
Orchestra and they arranged the song. All the kids got see how the instruments from the orchestra could be used to play their music. Then, Raul Malo of the Mavericks recorded their song, and Cecila and her class got to add their own voices to the recording for a nationally released CD.

Tyrone never did well in school until they day he got to write a song with world-class songwriters Bill Lloyd and Paul Reisler. His teacher couldn’t believe it. She called the principal in to watch through the window as Tyrone inspired the whole class with his ideas and his command of rhyme. Perhaps it was his one chance to experience himself in such a positive way. Maybe it was the beginning of seeing himself as a creative force rather than destructive one. Tyrone was changed in the eyes of his classmates, his teacher, his principal, and most importantly, himself.

Just imagine you are one of these children. You’re changed forever—seeing yourself as a creator and not just a consumer. You learn about teamwork, embracing diversity and collaboration through the group songwriting process. You’re able to express your feelings through song and that just might help all the kids understand each other better. You feel really listened to. And imagine the almost unimaginable—a song you wrote is recorded by a Grammy winning artist that you’ve heard on the radio.
You get excited about creative writing and learn about rhyme, metaphor, rhythm and melody through the process of writing your song. You even learn something that was
going to help you on your tests. As profits from CD sales go to more music enrichment programs, it might make it possible for you to learn more about music.

This year, we are producing a full CD project in Charlottesville, VA featuring a number of world-class performing artists who call Charlottesville home. The project is directed by Paul Reisler and Terri Allard. We'll be writing songs with children during 6 week-long residencies at 6 schools in Charlottesville.

Future plans include albums on specific themes including peace, nature and holidays.

Kids love music. With their unrestrained imaginations, they make great co-writers. Imagine what Kid Pan Alley could do in your community or in other communities around the country with your help. Imagine how different life will be for the children who get the chance to see themselves as creators. That can make all the difference.

MISSION:
• Use the songwriting process as a way of inspiring children in the creative process so that they understand that they can be creators of music and not just consumers;
• Promote self-awareness and self-confidence by attaching value to the students’
creative impulses;
• To help children experience creative expression as a means of embracing diversity, teamwork, and collaboration by supporting creativity as a prime skill to all critical thinking and problem-solving;
• To help children to learn and increases their ability to learn. While Kid Pan Alley addresses many objectives in the Standards of Learning in the areas of creativity, music, English, performance, and connection to other areas of learning – we think this is one of the most important outcomes of our program.
• The prevention, intervention and/or healing of crisis situations by helping children articulate their feelings, express their grief and document what has happened within their community through song;
• To teach children respect for intellectual property. Children who have written their own songs have a first hand understanding of the negative effects of “down-loading” on creators and their communities;
• Create awareness among the children of certain social issues such as the environ-ment and world peace by writing a series of songs on these subjects. We believe that the children’s unique perspective will also inspire adults to think about these issues;
• Raise funds for more arts enrichment programs through sales of the CD;
• Create new models for musicians and songwriters to work within their own com-munity;
• To promote community awareness of the arts as essential elements of instruction in the lives of children and, to foster collaboration between students, teachers, admin-istrators, artists, and the community through working together in a creative process.

HOW IT WORKS:
Songs are generally written in one or two class periods with the students working in a group process developed by Paul Reisler. We guide the students through the songwriting process, from the creation of an original idea to finished song in a fun filled way that hon-ors the input of the children.

The students decide what they want to write about. The subject matter is often surprising—it may be about their cat, but often it’s likely be about a grandparent with Alzheimer’s, something they are studying in school, social issues or events in the world around them. Always the songs have a twist that can only come from the unrestrained imagination of a child. The songwriter and class work together to craft the children’s ideas into a song.

The songwriter writes the music and it’s always original. The songs come out in a wide ar-ray of styles, from country to classical, from folk to hip-hop. At the end of the class, we re-cord the song and burn a CD for the class. A concert of the songs ends the residency. We suggest both an assembly for the entire school as well as an evening program for the com-munity.

Projects can range from short-term residencies and concerts to full CD projects. While we’ve worked with everything from 3-year olds through adults with great success. We prefer working with 2nd-4th grades.
Please give us a call to discuss how we might bring a Kid Pan Alley project to your community.

BRING KID PAN ALLEY TO YOUR COMMUNITY
Because each KPA project is tailored to the community, we need you! We need your enthusiasm, support, ideas, and fundraising efforts. In Tennessee , our project was hosted by the Nashville Chamber Orchestra. We were brought to Patrick County, VA by a community effort funded by The Reynolds Homestead. Kid Pan Alley projects happen because people like you step up and get involved. PTAs, symphonies, generous individuals, art museums, teachers, and supporters of the arts of all kinds are helping to bring Kid Pan Alley home to their communities. We can help you design a project that is right for you and partner with you to make it happen. Please contact us to find out more.

Siobhan Quinn - Workshop assistant

Siobhán Quinn is a singer/songwriter and arts educator focusing on creative writing of all kids. She tours nationally with her husband, fellow songwriter Michael Bowers and has released 4 recordings. www.dreamersloversandoutlaws.com

Paul Reisler - Founder and Artistic Director

PAUL REISLER is the founder and Artistic Director of Kid Pan Alley. He has been performing for over 35 years and he started writing songs when he was 5 years old. As the founder and leader of Trapezoid, he performed close to 3,000 concerts worldwide. He has been involved in over 35 recording projects in various roles as a musician, engineer, producer and composer with artists such as Beth Nielsen Chapman, John McCutcheon, Holly Near and many others.

His new band, Paul Reisler and a Thousand Questions featuring Angela Kaset and Howard Levy has just released a new album, At Night the Roses Tango.
Paul also writes for theatre, film and TV. Currently, he is completing work on a full-length piece for orchestra and narrator based on Aesop’s Fables with libretto by Tom Paxton.

He’s one of the most popular songwriting teachers in the country and has taught workshops and songwriting schools throughout the country including Rocky Mountain Song School, Utah Song School, New Song Academy, Swannanoa Gathering, Augusta Workshop, Hollyhock, Kerrville, NSAI, Songcamp in the Mountains and many others. He is the host of the 6-Day Intensive Songcamp in Charlottesville, VA.

So you’re probably wondering how Paul let Kid Pan Alley take over his life. Well, here’s his story:
"To be honest, I had no intention of starting Kid Pan Alley. It just grew out of a 3-week songwriting residency in my local community. The songs I wrote with the kids were so amazing that I knew I had stumbled on to an incredible discovery—kids make the greatest co-writers. The rest was figuring out how to get these songs and the process out into the world so kids everywhere could discover themselves as creators.

But now, I do know why I went down this path. It had to do with my own creativity and with being discouraged from doing music throughout my childhood and college years. I remember writing songs as a 5 year old. Whenever I’d sing them, my mother told me to be quiet. So I stopped. You see, we were a totally non-musical household. I still loved music and when I was old enough, I saved the money from my paper route and bought my first instrument, a longneck 5-string banjo. As much as I loved Pete Seeger at the time, the sound didn’t do it for me so I traded it in for a guitar.

I was a slow learner--it didn’t come naturally. But when I was ready for college my love of music got the best of me and I majored in music theory and composition. Not much encouragement there. I was kicked out of sight singing class for messing everyone else up. My composition teacher asked why I studying music and said I’d never amount to anything. I was wasting his time and mine I continued anyway just to irritate him. I did develop a career in music as the leader of the band Trapezoid. I performed in several thousand concerts and made dozens of recordings that I took great pleasure in sending to my old composition teacher.

So that’s why I’m spending this part of my life working with the kids. I can see what it means to them. How different it is when children are encouraged and can see themselves as creators, not consumers. I see what it’s like for the kids, having their first song recorded by an Amy Grant, Sissy Spacek, Delbert McClinton or Kix Brooks. And then there’s the Grammy nomination and the Parents’ Choice Gold award. It’s hard for me to imagine what my life would have been like and how much more I could have accomplished if I’d had the confidence in my abilities from the beginning. But it’s not hard to imagine what these kids are going to be able to create now that they are off to such a powerful start. And that makes it all worthwhile for me." www.paulreisler.com

Jane Colony Mills - Managing Director

is responsible for organizational operations and fundraising. Jane formerly served as Director of Development of The Paramount Theater of Charlottesville and Deputy Director of Development for The Nature Conservancy. While at The Paramount, she participated in the artistic programming for two seasons, directed the educational programs, and raised money for capital and operating needs.

Terri Allard - Charlottesville Project Director

Terri Allard is an award winning singer-songwriter known for her intimate performances and personal writing style. When not on stage, Terri teaches songwriting, performance and vocal workshops in schools, universities and folk communities across the country. Terri is also the host of Charlottesville Inside-Out, a new television series on WHTJ Charlottesville PBS and she serves as the Charlottesville–Albemarle Kid Pan Alley Project Director.

Paddy Dougherty - Lynchburg Project Director

Paddy Dougherty is an award-winning performing songwriter and music instructor who coordinates Kid Pan Alley’s songwriting residencies in Lynchburg, VA and presents Kid Pan Alley’s assembly program, Stand Up and Be Heard – One Little Song Can Change the World. Her band, the Paddy D Quartet, has independently released two CD’s. Paddy has performed with the David Bromberg Band, and from 1986-1992, held a number of responsibilities at the 200 seat non-profit arts organization Ellington Fellowship Playhouse, including fiscal management, performance booking, fundraising, publicity, membership, facility management, production, grant writing, and recruiting, training, and supervising volunteers.

Kathy Hussey - Workshop Leader

In 1996, Kathy Hussey declared it her personal mission to "inspire, enrich and elevate" young people through the vehicle of songwriting. Since that time, in addition to winning several major songwriting awards and releasing three albums as an independent artist, she has written and recorded hundreds of songs with budding songwriters (from 8-80 years old) in her workshops across the country. She has been the director of Camp Summersong, Nashville’s songwriting camp for at-risk girls, since 1999. Her teaching credits include an annual summer faculty position at Perry-Mansfield Performing Arts School and Camp in Steamboat Springs, CO.

Donald Sosin - Workshop Leader

Donald Sosin has been enthralling audiences in the US and Europe with his silent film music for over thirty years. He was the resident film accompanist at the Museum of Modern Art in the late 70's, and returns there frequently as a guest pianist. He performs each October at the Giornate del Cinema Muto in Pordenone, Italy, each July at Bologna's Cinema Ritrovato, and appears regularly at major film festivals including New York, Seattle, San Francisco, Telluride, TriBeCa, and Port Townsend. He is the resident pianist for the Film Society of Lincoln Center, BAM and the Museum of Moving Image, and has appeared at other film repertory houses and archives including the Pacific Film Archives’ Asian Film Festival, the Thalia Theater, Symphony Space, Harvard Film Archives, the National Gallery, the Wadsworth Atheneum, the Museum of Fine Arts in Boston, Berlin Filmmuseum, MASS MoCA, and The Film Forum.